Conducted by Ramzi Aburedwan, the Arab-Andalusian Orchestra is made up of artists from all over Anjou, of all ages, in an intergenerational and multicultural dynamic. They have a vast repertoire ranging from the Levant (Middle East) to Eastern Europe via Africa and Asia. It is above all the compositions of the members of the orchestra that gradually constitutes the repertoire. The themes addressed revolve around the Andalusian lyrical imagination, and are conveyed through courtly love, wine, and gardens.
Al Manara (meaning The Beacon) is a Belgian-Palestinian ensemble built on the collaborative juices and musical dialogue occurring between Ramzi and the Belgian pianist, conductor and composer Éloi Baudimont.
Taha est une pièce pour un acteur, écrite et jouée pour la première fois par Amer Hlehel au théâtre Al-Midane d’Haïfa le 7 mai 2014. Elle s’inspire de la vie du poète palestinien Taha Muhammad Ali, symbole d’une Palestine perdue et reconquise par les mots. Taha est un poète. Il est seul sur scène. Fort de son expérience, il raconte son parcours, à la fois si singulier et si universel : celui d’un homme qui a dû quitter son pays, qui a éprouvé la perte, et qui pourtant tient debout.
Children of the Stone, the power of music in a hard land
It is an unlikely story. Ramzi Hussein Aburedwan, a child from a Palestinian refugee camp, confronts an occupying army, gets an education, masters an instrument, dreams of something much bigger than himself, and then, through his charisma and persistence, inspires scores of others to work with him to make that dream real. The dream: a school to transform the lives of thousands of children—as Ramzi’s life was transformed—through music.
"Ma valise est mon pays", tribute to Mahmoud Darwich - February 2020
An ode to freedom, the words of poet Mahmoud Darwich resound with fervent brilliance in My homeland is a suitcase, a monumental concert and performance orchestrated by illustrious Palestinian musician Ramzi Aburedwan.
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This creation is a celebration of the great Arabic songstresses of the 20th century and a tribute to Oum Kalsoum, Fairouz, Asmahan, Leila Murad, Mayada Alhenawy, Warda al-Djazaira. From the 1940's, the woman in Arabic song represented the dream of absolute love. They also embodied an Arab world that aspired to a new boom of renaissance and modernity, an image that came to life with Arabic cinema’s musical comedy.